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First, it s important to recognize that your enterprise didn t implement this rat s nest overnight It took years even decades to build that P2P architecture, and you won t correct it overnight However, we have an approach that will simplify this process, allowing you to implement enterprise-wide SOA without needing to rewrite your entire enterprise As we write this, SOA is at a high point in its hype cycle SOA advocates earnestly promise that SOA will cure all your ills and make you more attractive to the opposite sex These promoters will promise that everything you ever learned about software engineering and running an IT shop is now outdated SOA makes it so easy that a trained monkey can do it! If you ve spent any amount of time in the software industry, you recognize this hype cycle pretty quickly.

Difference: Depending upon their brightness values, either the base color is subtracted from the blend value or vice versa The result looks like a color film negative Invert: This inverts the base color Alpha: The blend color is converted to an alpha channel, which, essentially, turns transparent Erase: This is the base color including those of the background image are erased Blend modes, once you grasp that they are math-driven, work like this: the pixel colors values are considered from two separate layers of an image and mathematically manipulated by the blend mode to create the effect An excellent example of this manipulation is the Multiply mode This mode will multiply the color values of a pixel in the source layer with the color values of the pixel directly below it in the destination layer The result is divided by 256 and is always a darker shade of the color.

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In Flash, these calculations are performed on overlapping movie clips or buttons on the stage..

With the release of Silverlight 4, there is now support for some new events that make for better User Experiences (UX) and all around better Rich Internet Applications (RIAs) in general. Let s explore some of these new events.

You know that the old 80/20 rule applies: about 80 percent of the hype will turn out to be exaggerations or outright lies, while the other 20 percent is the really useful stuff that you need to learn and apply immediately The difficulty is in knowing which statements are hype and which statements are true Let s debunk a commonly held belief in our industry: P2P integrations are evil In fact, there are advantages to using a P2P integration strategy First, P2P is usually fairly quick to implement Once you know how to communicate to the foreign software system, it s just a matter of doing the work to make the various API calls Second, P2P is fairly easy You don t need to be a software design expert The foreign software system s API is already written, and there s usually nothing you can do to improve it.

When applying a blending mode in Flash, keep in mind that it is not the same task as it is in Photoshop or Fireworks. Flash lets you place multiple objects in a layer. When a blend mode is applied to a movie clip or button in Flash, it is the object, which could be a photo, directly under the movie clip or button, which will supply the color for the change in the movie clip or the button. Blend modes are extremely powerful creative tools in the hands of a Flash artist. Though they can be applied only to movie clips and buttons, applied judiciously, the blend modes can provide some rather stunning visual effects. To apply a blend mode, you simply select the movie clip to which it is to be applied and select the mode from the Blend drop-down menu in the Properties panel. Let s look at a few of the blend modes and learn some blend fundamentals along the way.

stage (see Figure 3-27). The movie clips are also in separate layers named Source and Destination. In this example, the Source layer contains some text filled with a neutral gray color. The Destination layer contains an image of autumn leaves that were blurred using the Gaussian Blur filter in Photoshop. Those layers have been given those names for a reason: blending modes are applied in a top-down manner. This means that the effect will do the manipulation using the source layer s pixels and apply the result to the movie clip on the destination layer. That s right, anything visible under the source (including the stage) will be affected by the transformation.

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